DIRECT SUPPORT
We want to submit this film to the biggest 70 documentary film festivals in the world. Most of them demand fees to be paid. The amount we need now is at least 10.000 RON (aprox. 2.000 EUR) to be able to pay the submission fees and taxes. If you want to suupport this movie directly, on this page you'll find all you need.
We've previously raised 4.000 EUR via a classical crowdfunding, the amount representing the financial minimum with which the film went through post-production and was completed. The film was completed in April 2023.
Backers also received monthly updates about the movie and other benefits.
Personal support
If you want to personally support our film, contact me at:
dstroie03@gmail.com
+40 764 010 555
Revolut
Account holder: Stroie Dan-Dumitru
Account: RO41 BREL 0005 5066 2616 0100
Currency: RON
BRD
Account holder: Stroie Dan-DumitruAccount: RO64 BRDE 290S V514 7277 2900Currency: RON
Support as Legal entity
If you want to support our film as a legal entity, you need to have a contract and invoice with our film production company.
SC DSF Media Film SRL
CUI: 41765280Nr. ord. Reg. Com: J28/1128/2019
ING BankRON Account: RO75 INGB 0000 9999 0964 0488 Better contact me personally for a smooth process of support, at: dstroie03@gmail.com+40 764 010 555
ING BankRON Account: RO75 INGB 0000 9999 0964 0488 Better contact me personally for a smooth process of support, at: dstroie03@gmail.com+40 764 010 555
Where DID the money go until now?
30% - Editing
A very important stage, in which the shots that best convey the idea of the movie are selected from the 30+ hours of raw footage and then ordered to tell the story at best. Basically, it's all about days of planning, viewing and editing, drafts and small adjustments.
30% - SOUND
An aspect that is often ignored but that makes the difference between a good movie and an extraordinary one is the sound. This is where the art of a sound engineer comes in. He cleans and mixes the sounds recorded during filming, creates or enhances the audio to emphasize certain parts of the film
30% - Color grading
Un-color-graded movies look pale and lifeless. A good colorist, helped by a special screen calibrated to the cinema standard, is responsible for the chromatic aesthetics of the film and outline a unitary aspect between frames